Of Love and Other Demons




  Gabriel Garcia Marquez

  OF LOVE AND OTHER DEMONS

  Translated from the Spanish by Edith Grossman

  Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  ABOUT THE AUTHOR

  Gabriel Garcia Marquez was born in Aracataca, Colombia, in 1927. He studied at the University of Bogota and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas and New York. He is the author of several novels and collections of stories, including Eyes of a Blue Dog (1947), Leaf Storm (1955), No One Writes to the Colonel (1958), In Evil Hour (1962), Big Mama's Funeral (1962), One Hundred Years of Solitude (1967), Innocent Erendira and Other Stories (1972), The Autumn of the Patriarch (1975), Chronicle of a Death Foretold (1981), Love in the Time of Cholera (1985), The General in His Labyrinth (1989), Strange Pilgrims (1992), Of Love and Other Demons (1994) and Memories of My Melancholy Whores (2005). Many of his books are published by Penguin. Gabriel Garcia Marquez was awarded the Nobel Prize for Literature in 1982. He lives in Mexico City.

  For Carmen Balcells

  bathed in tears

  PENGUIN BOOKS

  OF LOVE AND OTHER DEMONS

  'A compassionate, witty and unforgettable masterpiece' Daily Telegraph

  'At once nostalgic and satiric, a resplendent fable and sombre parable, Of Love and Other Demons is a further marvellous manifestation of the enchantment and the disenchantment that his native Colombia always stirs in Marquez' Sunday Times

  'Marquez tells a story of forbidden love, but he demonstrates once again the vigour of his own passion: the daring and irresistible coupling of history and imagination' Time

  'As enchanting as anything Marquez has ever written' Observer

  'Marquez writes in this lyrical, magical language that no one else can do' Salman Rushdie 'Of all the living authors known to me, only one is undoubtedly touched by genius: Gabriel Garcia Marquez' Sunday Telegraph

  'Tragi-comic, acerbic, supernatural and mysterious. Pleasurable on many levels. Superb and intensely readable' Time Out

  'The most important writer of fiction in any language' Bill Clinton

  'Brilliantly moving' New York Times Book Review

  'One of this century's most evocative writers' Anne Tyler

  For the hair, it seems, is less concerned in the resurrection than other parts of the body.

  THOMAS AQUINAS

  On the Integrity of Resurrected Bodies,

  Question 80, Chapter 5

  October 26, 1949, was not a day filled with important news. Maestro Clemente Manuel Zabala, editor-in-chief of the newspaper where I learned the essentials of being a reporter, concluded our morning meeting with two or three routine suggestions. He did not assign a specific story to any writer. A few minutes later he was informed by telephone that the burial crypts of the old Convent of Santa Clara were being emptied, and with few illusions he said to me, 'Stop by there and see if you can come up with anything.'

  The historic convent of the Clarissan nuns, which had been turned into a hospital a century earlier, was to be sold, and a five-star hotel built in its place. The gradual collapse of the roof had left its beautiful chapel exposed to the elements, but three generations of bishops and abbesses and other eminent personages were still buried there. The first step was to empty the crypts, transfer the remains to anyone who claimed them and bury the rest in a common grave.

  I was surprised by the crudeness of the procedure. Laborers opened the tombs with pickaxes and hoes, took out the rotting coffins, which broke apart with the simple act of moving them, and separated bones from the jumble of dust, shreds of clothing and desiccated hair. The more illustrious the dead ... the more arduous the labor, because the workers had to rummage through the remains and sift the debris with great care in order to retrieve precious stones and articles of gold and silver.

  The foreman copied the information that was on each stone into a notebook, arranged the bones into distinct piles and placed a sheet of paper with a name on top of every mound to keep them all separate. And so the first thing I saw when I entered the temple was a long line of stacked bones, heated by the savage October sun pouring in through the holes in the roof and with no more identity than a name scrawled in pencil on a piece of paper. Almost half a century later I can still feel the confusion produced in me by that terrible testimony to the devastating passage of the years.

  There, among many others, were a viceroy of Peru and his secret lover; Don Toribio de Caceres y Virtudes, bishop of this diocese; several of the convent's abbesses, including Mother Josefa Miranda; and the bachelor of arts Don Cristobal de Eraso, who devoted half his life to building the coffered ceilings. One crypt was sealed with the stone of the second Marquis de Casalduero, Don Ygnacio de Alfaro y Duenas, but when it was opened they found it empty; it had never been used. The remains of his marquise, however, Dona Olalla de Mendoza, had their own stone in the adjacent crypt. The foreman attached no importance to this: it was not unusual for an American-born aristocrat to have prepared his own tomb and be buried in another.

  The surprise lay in the third niche of the high altar, on the side where the Gospels were kept. The stone shattered at the first blow of the pickax and a stream of living hair the intense color of copper spilled out of the crypt. The foreman, with the help of the laborers, attempted to uncover all the hair, and the more of it they brought out, the longer and more abundant it seemed, until at last the final strands appeared still attached to the skull of a young girl. Nothing else remained in the niche except a few small scattered bones, and on the dressed stone eaten away by saltpeter only a given name with no surnames was legible: SIERVA MARIA DE TODOS LOS ANGELES. Spread out on the floor, the splendid hair measured twenty-two meters, eleven centimeters.

  The impassive foreman explained that human hair grew a centimeter a month after death, and twenty-two meters seemed a good average for two hundred years. I, on the other hand, did not think it so trivial a matter, for when I was a boy my grandmother had told me the legend of a little twelve-year-old marquise with hair that trailed behind her like a bridal train, who had died of rabies caused by a dog bite and was venerated in the towns along the Caribbean coast for the many miracles she had performed. The idea that the tomb might be hers was my news item for the day, and the origin of this book.

  GABRIEL GARCIA MARQUEZ

  Cartagena de Indias, 1994

  One

  An ash-gray dog with a white blaze on its forehead burst onto the rough terrain of the market on the first Sunday in December, knocked down tables of fried food, overturned Indians' stalls and lottery kiosks and bit four people who happened to cross its path. Three of them were black slaves. The fourth, Sierva Maria de Todos los Angeles, the only child of the Marquis de Casalduero, had come there with a mulatta servant to buy a string of bells for the celebration of her twelfth birthday.

  They had been instructed not to go beyond the Arcade of the Merchants, but the maid ventured as far as the drawbridge in the slum of Getsemani, attracted by the crowd at the slavers' port, where a shipment of blacks from Guinea was being sold at a discount. For the past week a ship belonging to the Compania Gaditana de Negros had been awaited with dismay because of an unexplainable series of deaths on board. In an attempt at concealment, the unweighted corpses were thrown into the water. The tide brought them to the surface and washed the bodies, disfigured by swelling and a strange magenta coloring, up on the beach. The vessel lay anchored outside the bay, for everyone feared an outbreak of some African plague, until it was verified that the cause of death was food poisoning.<
br />
  At the time the dog ran through the market the surviving cargo had already been sold at reduced prices on account of poor health, and the owners were attempting to compensate for the loss with a single article worth all the rest: an Abyssinian female almost two meters tall, who was smeared with cane molasses instead of the usual commercial oil, and whose beauty was so unsettling it seemed untrue. She had a slender nose, a rounded skull, slanted eyes, all her teeth and the equivocal bearing of a Roman gladiator. She had not been branded in the slave pen, and they did not call out her age and the state of her health. Instead, she was put on sale for the simple fact of her beauty. The price the Governor paid, without bargaining and in cash, was her weight in gold.

  It was a common occurrence for a stray dog to bite people as it chased after cats or fought turkey buzzards for the carrion in the streets, and it was even more common during the times of prosperity and crowds when the Galleon Fleet stopped on its way to the Portobelo Fair. No one lost sleep over four or five dog bites in a single day, least of all over an almost invisible wound like the one on Sierva Maria's left ankle. And therefore the maid was not alarmed. She treated the bite herself with lemon and sulfur and washed the bloodstain from the girl's petticoats, and no one gave a thought to anything but the festivities for her twelfth birthday.

  Earlier that morning, Bernarda Cabrera, the girl's mother and the untitled spouse of the Marquis de Casalduero, had taken a dramatic purge: seven grains of antimony in a glass of sugared rosewater. She had been an untamed mestiza of the so-called shopkeeper aristocracy: seductive, rapacious, brazen, with a hunger in her womb that could have satisfied an entire barracks. In a few short years, however, she had been erased from the world by her abuse of fermented honey and cacao tablets. Her Gypsy eyes were extinguished and her wits dulled, she shat blood and vomited bile, her siren's body became as bloated and coppery as a three-day-old corpse and she broke wind in pestilential explosions that startled the mastiffs. She almost never left her bedroom, and when she did she was nude or wearing a silk tunic with nothing underneath, which made her seem more naked than if she wore nothing at all.

  She had already moved her bowels seven times when the maid who had accompanied Sierva Maria returned but told her nothing about the dog bite. She did, however, comment on the scandal at the port caused by the sale of the slave woman. 'If she's as beautiful as you claim, she might be Abyssinian,' said Bernarda. But even if she were the Queen of Sheba, it did not seem possible that anyone would pay her weight in gold.

  'They must have meant in weighed gold pesos,' she said.

  'No, as much gold as the black woman weighs,' the maid explained.

  'A slave two meters tall weighs at least 120 pounds,' said Bernarda. 'And no woman, white or black, is worth 120 pounds of gold, unless she shits diamonds.'

  No one had been more astute than Bernarda in the slave trade, and she knew that if the Governor had bought the Abyssinian it could not be for something as sublime as serving in his kitchen. Just then she heard the first hornpipes and firecrackers of a fiesta, followed by the furious barking of the mastiffs in their cages. She went out to the orange grove to see what it could be.

  Don Ygnacio de Alfaro y Duenas, the second Marquis de Casalduero and Lord of Darien, had also heard the music, from his siesta hammock hanging between two orange trees in the grove. He was a funereal, effeminate man, as pale as a lily because the bats drained his blood while he slept. He wore a Bedouin djellaba in the house, and a Toledan biretta that increased his forlorn appearance. When he saw his wife as naked as the day God brought her into the world, he anticipated her question and asked, 'What music is that?'

  'I don't know,' she said. 'What's the date?'

  The Marquis did not know. He really must have felt quite puzzled to ask his wife anything, and she must have felt complete relief from her bilious attack to reply with no sarcasm. He had sat up in the hammock, intrigued, when the firecrackers exploded again.

  'Good Lord!' he exclaimed. 'Can it be that date already?'

  The house adjoined the Divina Pastora Asylum for Female Lunatics. Agitated by the music and fireworks, the patients had appeared on the terrace that overlooked the orange grove, and they celebrated each explosion with ovations. The Marquis called up to them, asking where the fiesta was, and they cleared away his doubts. It was December seventh, the Feast of Saint Ambrose the Bishop, and the music and fireworks thundering in the slaves' courtyard were in honor of Sierva Maria. The Marquis slapped his forehead.

  'Of course,' he said. 'How old is she?'

  'Twelve,' replied Bernarda.

  'Only twelve?' he said, lying down again in the hammock. 'How slow life is!'

  The house had been the pride of the city until the beginning of the century. Now it was a melancholy ruin, and the large empty spaces and the many objects out of place made it seem as if the occupants were in the process of moving. The drawing rooms had kept their checkerboard marble floors and teardrop chandeliers draped in cobwebs. The rooms still in use were cool in any weather because of their thick masonry walls and many years of enclosure, and even more because of the December breezes that came whistling through the cracks. Everything was saturated with the oppressive damp of neglect and gloom. All that remained of the seignorial dignities of the first Marquis were the five hunting mastiffs that guarded the nights.

  The resounding courtyard of the slaves, where Sierva Maria's birthday was being celebrated, had been another city within the city in the time of the first Marquis. This continued under his heir for as long as the illicit traffic in slaves and flour, directed in secret by Bernarda from the Mahates sugar plantation, had lasted. Now all that splendor was a thing of the past. Bernarda had been extinguished by her insatiable vices, and the slave-yard reduced to two wooden shacks with roofs of bitter palm, where the last scraps of greatness had already been consumed.

  Dominga de Adviento, a formidable black woman who ruled the house with an iron fist until the night before her death, was the link between these two worlds. Tall and bony, and possessed of an almost clairvoyant intelligence, it was she who had reared Sierva Maria. Dominga de Adviento became a Catholic without renouncing her Yoruban beliefs, and she practiced both religions at the same time, and at random. Her soul was healthy and at peace, she said, because what she did not find in one faith was there in the other. She was also the only human being with the authority to mediate between the Marquis and his wife, and they both accommodated her. Only she could drive the slaves out with a broom when she discovered them in the vacant rooms committing calamitous acts of sodomy or fornicating with bartered women. But after she died they would flee the shacks to escape the midday heat and stretch out on the floor in every corner, or scrape the crust out of the rice pots and eat it, or play with the macuco and the tarabilla in the cool corridors. In that oppressive world where no one was free, Sierva Maria was: she alone, and there alone. And so that was where her birthday was celebrated, in her true home and with her true family.

  In the midst of so much music it was difficult to imagine dancing more silent than that of the Marquis's slaves and a few blacks from other distinguished households, who brought whatever they could. The girl displayed just who she was. She could dance with more grace and fire than the Africans, sing in voices different from her own in the various languages of Africa, agitate the birds and animals when she imitated their voices. By order of Dominga de Adviento, the younger slave girls would blacken her face with soot. They hung Santeria necklaces over her baptism scapular and looked after her hair, which had never been cut and would have interfered with her walking if they had not braided it into loops every day.

  She had begun to blossom under a combination of contradictory influences. She inherited very little from her mother. She had her father's thin body, however, and his irremediable shyness, pale skin, eyes of taciturn blue and the pure copper of her radiant hair. Her movements were so stealthy that she seemed an invisible creature. Frightened by her strange nature, her mother had hung
a cowbell around the girl's wrist so she would not lose track of her in the shadows of the house.

  Two days after the fiesta the maid mentioned in passing to Bernarda that a dog had bitten Sierva Maria. Bernarda thought about it as she took her sixth hot bath of the day with perfumed soaps before going to bed, and by the time she returned to her room she had forgotten it. She did not remember it again until the following night, when the mastiffs barked until dawn for no reason, and she was afraid they had rabies. Then she took a candlestick to the shacks in the courtyard and found Sierva Maria asleep in the hammock of Indian royal palm she had inherited from Dominga de Adviento. Since the maid had not told her where the bite was located, Bernarda raised the girl's chemise and examined her inch by inch, using the light to follow the penitential braid that curled around her body like a lion's tail. At last she found it: a little break in the skin on her left ankle, with a scab of dried blood and some almost invisible abrasions on the heel.

  Cases of rabies were neither limited nor insignificant in the history of the city. The most notorious was that of a street peddler who plied his trade with a trained monkey whose actions were almost indistinguishable from those of humans. The animal contracted rabies during the naval siege by the English, bit its owner on the face and escaped to the nearby hills. The unfortunate man was clubbed to death while suffering fearful hallucinations, which mothers still sang about many years later in popular ballads meant to frighten children. Before two weeks had passed a horde of satanic macaque monkeys descended from the hills in the full light of day. They devastated pigsties and henhouses and then, howling and choking on their own frothing blood, burst into the cathedral during a Te Deum celebrating the defeat of the English fleet. Yet the most terrible dramas did not pass into the annals of history, for they occurred among the population of blacks, who spirited away the victims to cure them by African magic in the settlements of runaway slaves.

 
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